June 4, 2007
Source: Luke Freeman
The introduction of digital technology arguably represents the most exhaustive technical and social changes in the history of cinema, greater than both sound and colour.
In analysing who benefits from the proliferation of digital cinema, it is helpful to review it in the context of the traditional film making process and then to define digital cinema in regard to this.
Developments in digital media are having a significant impact on the spectrum of cinema production (filming, editing and effects) and distribution (printing, shipping and screening).
This results in both positive and negative ramifications that can be addressed in relation to a number of recent Australian films with digital processes.
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